I’m Sophia Köllmer, an Integral Practitioner and visual artist based in Berlin.
My path has moved through many forms: sculpture, drawing, installation, yet always returned to one central question: how can we give shape to what lives within us?
Art was my first language, a way of giving form to the unseen. Over time, this path expanded into an integral practice shaped by psychoanalytic traditions. Today I work with both art and dialogue: in some sessions images, gesture, and color carry what cannot yet be spoken; in others, words, reflection, and silence open the way.
I support people navigating transitions, anxiety, grief, or disconnection from themselves.
My approach is trauma-sensitive, person-centered, and intuitive, grounded in the belief that healing unfolds when we feel safe, seen, and unpressured.
I am currently in training as Heilpraktikerin für Psychotherapie (Germany) and in Art Therapy guided by a Jungian orientation.
These studies, together with my personal artistic practice, shape the way I hold space for others.
The name Enzcian began with the word cyan, a color that stands between blue and green, a liminal tone of clarity, transition, and depth.
From cyan came the echo of encyan, a sound carrying both openness and resonance.
Out of this echo the name began to take shape, slowly transforming until it became Enzcian.
In this way, the name itself is a journey: a symbol forming through words, a process of emergence rather than invention.
The addition of the letter C does more than shift spelling. It marks the word as a threshold, charged with the qualities cyan carries: transformation, resonance, and the movement between states. The C interrupts the familiar flow, creating an opening where change can enter. It marks the point of passage, the place where resonance becomes possible. For me, Enzcian is not a fixed label but a transmitting object, something that embodies fragility and strength, the meeting of inner and outer, the possibility of becoming.
Enzcian, in this sense, is both a name and a symbol. It holds within it the path of becoming, just as the work itself does: beginning with a color, resonating through sound, and arriving as a form that carries process into the world.
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